Chopin Op. 47

Chopin Op. 47

By

Stanley V. Makower

LATE in the afternoon of the seventeenth of October, eighteen
hundred and eighty-nine, the atmosphere in the little private
room of the Hotel Saxony was a mixture of cigar smoke and
fog.

The crimson shades sank lower and lower over the candles.
In one or two places the wire frames had toppled forward
with their silk canopies, and the grease was guttering woefully,
creeping over the edge of the candle and hurrying into little
solid lumps which formed an ever-changing pattern down the
side.

On the table were strewn the remains of a luxurious lunch ; a
confusion of fruit, flowers, and wine. The party consisted solely
of bachelors.

" Oceana," said the host, rising with his glass in his hand and
bending slightly forward to propose the toast, while he appealed
with his eyes to those round him. He was a young man, quietly
dressed in a suit of a thick, dark material, but a large sapphire pin
shone from his black satin tie.

The clear " tink " of glasses sounded as they met across the
table.

Some

251 By Stanley V. Makower

Some one began to wave his glass, and to hum tempo di liaise :

    "Sweet Oceana,
    I'd give the world to gain her,
    She's fair as any flower in the fields to see."

He hesitated ; trying to recall the words, with a confused look
on his face, when another continued :

    "I may be a duffer,
    The scorn of men I'd suffer,
    So long as Oceana won't look down on me."

The last line was sung as a chorus by the whole party.

The wine had flowed freely, and the utmost conviviality and
good humour reigned. They began to talk of Oceana's last
appearance at the Ambassadeurs, when her yellow dress had been
pronounced a triumph, and the French papers had declared
that the long rows of yellow gas lamps had " quivered with
sympathy."

One man alone did not seem to share the enthusiasm of the
rest.

He sat a little apart from them, running his shrivelled fingers
abstractedly up and down the stem of his glass.

" You look gloomy," said one.

"I look what I am," he said, quietly ; "nearly twice as old as
most of you here." And he leaned his bald head heavily on his
hand as he looked at the group of faces around him.

A feeble protest was raised by one or two who, without wishing
to go into the details of age all round the table, were of opinion
that his theory was not to be supported. The host tapped him

mysteriously

252 Chopin Op. 47

mysteriously on the shoulder, shook his head at him, and laughed,
saying :

"Take some more hock and forget your age," as from the
long-necked bottle he poured the amber-coloured wine into his
neighbour's glass.

But the man only smiled faintly as he pushed an imaginary lock
of hair from his forehead, and murmured :

" I feel old ; sometimes it comes over me."

There was a silence for a few moments, the querulous tone of the
speaker having checked the merriment of the company.

One of the red silk shades caught fire and fell burning upon the
table. Everybody rose to extinguish it, and sat down again dis-
consolately. Outside the lights were beginning to spring up
along the street.

The next few minutes passed again in silence.

" Let us go," said some one at last.

The host rose toying with the pin in his tie, which he pulled up
slightly and then pushed back into its place.

" Come to my rooms," he said, indicating a general invitation
by a vague look in his eyes. " Suzanne Delisle is coming to play
the piano."

No one dissented ; so they called for their hats and coats and
went one behind the other out of the hot room, while a voice
quavered out :

    "The scorn of men I'd suffer,
    So long as Oceana don't look down . . . ."

It stopped suddenly as they stepped into the cold, foggy street.
They all shivered a little and then set out briskly. A walk of
five minutes brought them to a house.

The

253 By Stanley V. Makower

The host after standing under the gas lamp outside the front
door and fumbling for some time with a bunch of keys, selected
one and quickly slipped it into the lock. As he pushed, the door
fell back noiselessly, leaving the key in his hand. When the
others had trooped past him he shut the door behind him and they
were left in darkness. Only the ends of two cigars glowed—tiny
circles of fiery red—as the owners puffed at them.

" Two flights, nine steps each," said the host, " then wait till I
get a match."

They stumbled up until some one said, " Stop."

The host opened the door and vanished into the room to find a
match.

A faint glimmer of green mist made luminous by the gas lamp
outside, indicated the position of a window, and over the landing,
where the party stood waiting for a light, floated a warmer air
loaded with the perfume of flowers which mingled with the heavy
smell of the cigars.

The host was some time finding the match-box.

" Ah, here it is," he said at last, advancing to the door with it
in his hand.

The unwieldy figure of the old man passed by him and sank
into a large armchair close to the fireplace, in which glowed a
small heap of dull red coal. His eyelids were half-closed—for the
wine and the fog had made him drowsy, so that he did not see the
others as they followed the host in procession across the room.
He felt several people brush past him, then he heard a confused
babble of voices ; that was all.

Lights glimmered, changing the colour that hung before his
eyelids, and he began to imagine that he was in the little room
of the Saxony, and that, if he were to open his eyes, he would see
the table strewn with its confusion of plates and glasses. And the

The Yellow Book—Vol. XI. Q

figure

254 Chopin Op. 47

figure of a man, rising with his glass in his hand and stooping
forward to propose a toast swam before him.

Then he thought he heard a noise as of the opening of a piano,
which threw him back to his boyhood, and he fancied that he was
at home and that his mother was playing to him.

They were in the little sitting-room with its walls crowded with
faded photographs of Rome and Pompeii in black frames. His
mother sat at the piano with her back to him : her head was
slightly turned so that he could see her profile, and her forehead
and hair were lit up by the candle-light.

Divinely fair she looked. And as he listened he felt in his hands
the touch of that silken hair which he stroked every night before
he kissed her and went to bed.

He was sitting at some distance from her, wrapt in wonder, for
her music was like magic.

Then it seemed to him that he closed his eyes in an ecstacy.

Now it was early morning in a forest, and he was treading
noiselessly across the carpet of damp, decayed leaves, winding his
way in and out of the stems of tall trees, whose branches were
dashed with dew. And all the vigour of youth was in his limbs as
he walked joyously, breathing in the soft, moist air, and shaking his
head to toss back the thick lock of hair that fell over his eyes.

Now he had flung himself down at the edge of a wide pool and
was gazing on its motionless surface. Reflected in it he saw the
image of his own face, young and beautiful.

And he smiled. And a light breeze sent a quiver through the
forest making the leaves rustle faintly.

The spirit of youth burned quick within him ; and he was filled
with vague desire to do some great emprise. On the surface of
the pool before him, floated the image of tall, waving trees.

Then

255 By Stanley V. Makower

Then as he looked deep down into the water the mirrored forest
melted away to the edge of the pool and before him rose a castle,
dark, mysterious, fronted by broad lawns with several towers in
dull purple, one taller than the rest.

Long and earnestly he gazed.

* * * * *

A sunbeam struck one of the mullioned windows, which opened
and a woman appeared, leaning forward as if to listen. Then the
window was closed again.

Far in the distance the tramp of hoofs, trample of hoofs.

Nearer they come, nearer and nearer.

Lo, a knight clad in shining armour on a white horse with flowing
mane. Now he is at the edge of the forest, now on the lawn, now
under the tower that is tallest, and his white horse prances and
caracoles, prances and caracoles.

And as the sun grows stronger the trappings of his horse flash
with bright gems, which scatter their light about him as he moves
in ever varying figures swifter and swifter.

The mullioned window is open again.

From below it come the sounds of many people bestirring
themselves. Now the full light of day is over the castle.

The knight dances up and down on his shining steed. Behind
him dance the shadows of an army of knights on white horses
which follow him in every movement. Wilder and wilder he
grows—swaying from side to side. And the shadows sway from
side to side. All through the day they dance in front of the castle
until horse and rider grow weary and jaded, and the knight stands
still beneath the tower that is taller than the rest.

And the shadows stand still.

A shower of rose leaves pours from the window of the princess.
Rose leaves, rose leaves, rose leaves. As they fall from her white

fingers

256 Chopin Op. 47

fingers a breeze blows them about, tossing them into endless
patterns, until a cloud of rose leaves is about the knight, and the
lawns are strewn with soft petals.

He turns his head to the window, and as he raises his vizor, the
twilight that falls upon his armour quickens to points of ruddy
gold.

Dimmer and dimmer grow the lights that flash from the
jewelled horse, as he rides away followed by the army of shadows,
and all is dark.

The sound of the running of innumerable small feet and of muffled
laughter comes now from the wood. Elves tear up and down
in front of the castle, which is all black save where a lighc
burns in the window of the princess. The laughter grows to
shrieks as they come in thousands, leaping and dancing fran-
tically in mimicry of the knight s dance. An elf mounted
on a rabbit scampers up and down the lawn, and each time
that he passes under the window of the princess, the light
flickers.

Suddenly a gust of wind raises the dead leaves in the wood, so
that they are whirled aloft higher and higher in front of the
castle, rushing and crackling. They hit one another, tossed
hither and thither in their passage through the air until the wind
drops and they tumble, flying helter-skelter, jostling one another,
whispering, fluttering down to the ground.

Far in the distance the tramp of hoofs, trample of hoofs.

Dawn begins to glimmer. As the hoofs come nearer the
noise of the elves grows fainter. They scamper off to the
wood to bar the knight's way. They pinch and scratch and
bite him, they tug at his helmet until it falls from his head,
but he presses onward : nearer, nearer, until the sunbeam
strikes the window of the princess, from which something

waves

257 By Stanley V. Makower

waves in the breeze, and the elves creep away with a faint,
droning cry.

The knight prances up on his white steed, at the back of him
are the army of shadows. At the window waving a long white
scarf the princess stands, and her eyes shine like stars.

A shower of rose leaves falls from her window. Rose leaves,
rose leaves, rose leaves.

Now she is seated on a pillion behind the knight, and they
ride off in a cloud of rose leaves, and the jewels on the knight's
horse flash in the sunlight.

* * * * *

Was it a horse a white horse ?

How the rose leaves whispered and fluttered.

He rubbed his hand across his face and felt the wrinkles with
which it was indented, while in the darkness of his mind he was
vaguely conscious of a wide pool, over which the wind had sent
a ripple.

How his limbs ached. He half raised his eyelids and then
closed them again wearily, waving his hand feebly in front of him
as if to put away the reality that was breaking upon his dream.

But in spite of himself his eyes opened.

The fire had gone quite out, and he shivered slightly. Through
an arched opening at the end of the room he saw a woman with
auburn hair seated at the piano with her back to him. Her head
was slightly turned so that he could see her profile, and her hair
and forehead were lit up by the candle-light.

She was smiling to a group of men who stood round her.

The man in the armchair groaned a little. By his side was
a bowl of roses, the perfume of which filled his nostrils. He
shut his eyes for a moment, trying to see the picture of

the

258 Chopin Op. 47

the white horse, but it evaded him and his eyes would not keep
closed.

A man-servant entered with a lamp, revealing a room richly
furnished with carved oak. The walls were covered with oil
pictures in heavy frames. Here and there stood bronze statues by
modern French sculptors, and on the table upon which the lamp
had been placed, the soft yellow light fell on a number of curious
objects : old silver boxes, medallions in jewelled frames, tiny
porcelain vases, trays of coins and rings.

Suzanne Delisle rose from the piano and advanced into the
room.





MLA citation: Makower, Stanley V. "Chopin Op. 47." The Yellow Book 11 (Oct 1896): 250-258. The Yellow Nineties Online. Ed. Dennis Denisoff and Lorraine Janzen Kooistra. Ryerson University. Web. [Date of access]. http://www.1890s.ca/HTML.aspx?s=YBV11_makower_chopin.html